{"title":"New Titles","description":"","products":[{"product_id":"flussigkeit-der-landschaft-instagram-vine-posts-2021-2024-von-keiso-hiratsuka","title":"Flüssigkeit der Landschaft: Instagram Vine Posts 2021–2024 von Keiso Hiratsuka","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDiese Publikation aus der Edition Haus am Gern versammelt ausgewählte Instagram-Beiträge des japanischen Künstlers Keiso Hiratsuka – übersetzt und kommentiert von Dr. Sebastian Balmes, Japanologe an der Universität Zürich.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHiratsuka fotografiert Weinflaschen und schreibt über den Wein, während er ihn trinkt. Texte, die sich schlicht geben, beiläufig notiert – in Wahrheit aber sind es Gedichte.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDie Edition Haus am Gern versteht sich als offener Raum für künstlerische Setzungen. Doch dieser Raum ist nicht fix – er dehnt sich, verschiebt seine Koordinaten, wird mit jeder Veröffentlichung durchlässiger, grösser. Mit Keiso Hiratsukas Instagram-Posts überbrückt er rund neuntausend Kilometer – und etwa tausend Jahre Kulturgeschichte. Denn so weit reicht die zeitliche Distanz zwischen Hiratsukas poetischen Vine-Posts und den Aufzeichnungen der ersten bekannten «Bloggerin»: der Hofdame Sei Shōnagon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHiratsuka speichert seine Texte auf der digitalen Plattform des Grosskonzerns Meta. Sei Shōnagon schrieb mit dem Pinsel auf Papier, das sie unweit ihres Kopfkissens aufbewahrt haben soll, auch wenn ihr Text weniger privat gewesen sein mag, als sie gelegentlich andeutet. Zwei Medien, zwei Zeiten – und doch verwandte Gesten: Aufbewahrungen des Flüchtigen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHier knüpft auch die erweiterte Zusammenarbeit mit Atelier Pol an, dessen Interesse an japanischer Kultur, Sprache und Schrift, dadurch ergänzt wird, dass sie es sich zum Ziel gesetzt haben, Menschen beim Gestalten, Umsetzen und Verlegen von Publikationen zu unterstützen.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMit dieser Publikation möchten wir Sie, liebe Leserinnen und Leser, einladen, die Flüchtigkeit und Flüssigkeit von Landschaft, Raum, Zeit und Sprache zu erfahren. Vielleicht ist es nur ein kleiner Beitrag zur grossen Erzählung der\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMenschheit – aber getragen von der festen Überzeugung: Wir können Kultur. Wir können Frieden. Wir können Menschlichkeit. 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With her very personal travel diary, Itasaka aims to convey an understanding of the history of the post-Soviet era in this region. \u003c\/span\u003e\u003cem\u003eInfinity Complex Landscape\u003c\/em\u003e\u003cspan\u003e calls for a confrontation with the past and contributes to the healing of collective wounds. The book includes a text by professor Kimitaka Matsuzato, one of the leading scholars of Post-Soviet History and Politics, who, in 2019, received the Association for the Study of Nationalities’ (ASN) prestigious Huttenbach Prize.\u003c\/span\u003e\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57425826808182,"sku":null,"price":50.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-yoshie-itasaka-infinity-complex-landscape-cover.jpg?v=1776334420"},{"product_id":"francescos-booook","title":"BlueVille: Metodi e tecniche per il progetto di riforma nei territori dello sprawl costiero","description":"\u003cp class=\"p1\"\u003eI disegni del capitolo Rhapsody in Blue sono una rielaborazione di alcune sperimentazioni progettuali maturate presso il Dipartimento ArCoD del Poliba, in occasione della tesi di laurea L'informale costiero nell'A.A. 2018-2019 (relatore: Carlo Moccia; tutor: Giuseppe Tupputi; studenti: N. Catella, A. Convertino, M. Lavacca, V. Populizio), e del workshop BlueVille, di cui l'autore è stato organizzatore, oltre che tutor, all'interno del BiArch_Bari International Archifestival nel settembre 2021.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57430156968310,"sku":null,"price":40.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-blue-ville-cover.jpg?v=1776633661"},{"product_id":"takashi-homma-this-is-not-my-cat","title":"Takashi Homma: This is not my Cat","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eA cat wanders, perches, and lounges in various spaces around a humble Tokyo apartment. It is perfectly tranquil in its surroundings, simply going about its daily life. In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a cardboard box, hides beneath an open umbrella. Here and there, evidence of the cat’s fellow inhabitant in the apartment – a man, who also happens to be the internationally renowned photographer Takashi Homma – creeps into the frame. A knee, a foot, a shock of blonde hair, half of a face. There are artefacts of his life and practice too. Framed photographic prints draped in bubblewrap lean against a wall; a tangle of musical effects pedals make for colourful constellation against the cool blue of the carpet.\u003cbr\u003e\u003cbr\u003eMany have written of the unique atmosphere and energy of Takashi Homma’s pictures. His photographic mannerisms are so light, so subtly empathetic to his subjects, that we all but dissolve into the world he creates. The photographs that populate This Is Not My Cat are no exception. Unencumbered by a sense of fussiness or perfection, these images are casual, diaristic, and quotidian. As viewers, we become part of the images and their atmosphere, rather than poring over their details. They are about feeling as much as they are about looking. \u003cbr\u003e\u003cbr\u003eThe title – This Is Not My Cat – seems multipart. Whereas the anomaly imbedded in Homma’s iconic photobook Tokyo and My Daughter is that the girl pictured was not in fact his own child, here, his own cat is recast as belonging to another. Or perhaps it is that a cat’s independence cannot be truly curbed. They quietly live, play, and exist alongside us. They move through life in our shadow, but forever in their own world. \u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57519383609718,"sku":null,"price":23.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-takashi-homma-this-is-not-my-cat-cover.jpg?v=1776259986"},{"product_id":"how-many-female-type-designers-do-you-know-i-know-many-and-talked-to-some","title":"How Many Female Type Designers Do You Know? I Know Many and Talked to Some!","description":"\u003cp\u003e\u003cspan\u003eFirst published by Onamotapee in 2021, this important book returns to print with a survey of the past and present of women working in typography. The first section is a statistical overview of the field apropos of gender, supplemented with biographies of female type designers that worked in the 19th and early 20th centuries. 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Distortion and return operate as a single movement: the image is broken, then brought back into physical presence. The book itself is conceived as a site of holding—where image, text, and process converge as a form of insistence.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57609441411446,"sku":null,"price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-akosua-viktoria-adu-sanyah-no-flowers-cover.jpg?v=1776611048"},{"product_id":"neutral-colors-issue-6-stay","title":"Neutral Colors Issue 6: Stay","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eNeutral Colors is the independent magazine of the Japanese design studio and riso printer of the same name run by \u003cmeta charset=\"utf-8\"\u003eKatoh Naonori. 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A special feature on artist and film-maker Derek Jarman (1942–1994) is also included. ‘Neutral Colors’ is an independent Japanese publication featuring vibrant offset and Risograph printing combined with a saddle-stitched binding.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57753979715958,"sku":null,"price":25.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-neutral-colors-magazine-6-cover.jpg?v=1777216631"},{"product_id":"stefan-marx-abc-stefan","title":"ABC Stefan","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eABC Stefan is an artist-specimen-accordion-book hybrid which examines what it means to take something as personal as an artist’s handwriting and make it accessible for others to use. 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The artist book features 2.5m of glyphs, Stefan Marx's A-Z of drawings, an essay by design writer and curator Billie Muraben, and a poem-artwork by the grandfather of zine-making, AA Bronson.\u003c\/span\u003e\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57767114834294,"sku":null,"price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-abc-stefan-cover.jpg?v=1777975360"},{"product_id":"arizona-horsegiirl-newspaper","title":"Arizona horsegiirL Newspaper","description":"","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57767119126902,"sku":null,"price":15.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-arizona-horsegiirl-cover.jpg?v=1777644570"},{"product_id":"catwalk-stories","title":"Catwalk Stories","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThere are many typically Swiss things, and cat ladders are one of them. 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