{"title":"Photography","description":"","products":[{"product_id":"zumthor-sehen-bilder-von-hans-danuser","title":"Zumthor sehen. Bilder von Hans Danuser","description":"\u003cp data-end=\"361\" data-start=\"0\"\u003eThe Chapel of Sogn Benedetg, the protective structures over the Roman remains in Chur, and the Therme Vals: With a radically subjective view of these buildings by the architect Peter Zumthor (*1943), the Swiss artist Hans Danuser set a milestone in the history of architectural photography in the 1980s and 1990s. His images fundamentally transformed the genre.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"811\" data-start=\"363\"\u003eThis book revisits those groundbreaking photographs and continues the intense debate they sparked twenty years ago. In conversation with \u003cem data-end=\"514\" data-start=\"500\"\u003eHochparterre\u003c\/em\u003e editor-in-chief Köbi Gantenbein, Danuser explores the circumstances of his collaboration with Peter Zumthor. The art and architectural historian Philip Ursprung reflects on Zumthor’s architecture and on the photographic representation of architecture. A book about images, buildings, and history.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57349528322422,"sku":null,"price":24.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-zumthor-sehen-bilder-von-hans-danuser.jpg?v=1776594751"},{"product_id":"emmental","title":"Emmental","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThi\u003ci\u003es\u003c\/i\u003e photographic portrait of the Emmental region in Switzerland pairs evocative black-and-white landscape and documentary images with thoughtful text to sketch both place and people. Originally produced under the Rentsch publishing imprint, the book brings together striking photographs that capture the rolling hills, traditional farms, rural life, and quiet moments of everyday work and ritual in the Emmental. The visuals focus on texture and light in the agrarian landscape, showing how the gently undulating terrain, woods, pastures, and farm buildings form a distinct cultural and geographic identity. Interspersed with essays or captions that provide historical and cultural context, the book reads as both an aesthetic celebration of the region’s scenery and a sensitive document of its lived experience. It’s a meditation on land and livelihood, giving readers an intimate, almost tactile sense of this part of the Swiss countryside.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57349655658870,"sku":null,"price":35.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-emmental-cover.jpg?v=1777329225"},{"product_id":"setsuo-ogawa-a-radical-chaotic-tour","title":"Setsuo Ogawa: A Radical Chaotic Tour","description":"\u003cp data-start=\"663\" data-end=\"1061\"\u003eThis book documents nearly a decade of photographic work by Setsuo Ogawa. Produced between Japan, Europe and New York, the series captures urban life, subculture and personal observation through a raw, diaristic lens. The work sits between documentary practice and subjective city chronicle, reflecting Ogawa’s background in independent magazine culture of the 1980s.\u003c\/p\u003e\n\u003cp data-start=\"1063\" data-end=\"1293\"\u003ePublished in 2005 by Andrews Press, the book brings together images from 1988 to 1997 in a cohesive volume that traces a formative period in the photographer’s career. A compelling document of late-20th-century urban atmosphere.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57395429736822,"sku":null,"price":80.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-setsuo-ogawa-a-radical-chaotic-tour-cover.jpg?v=1776353161"},{"product_id":"provoke-complete-reprint-of-3-volumes","title":"Provoke: Complete Reprint of 3 Volumes","description":"\u003cdiv class=\"ql-block\" data-block-id=\"block-4aec5665-8b37-4039-aa5a-1098251f2fbc\"\u003eRelease Date : 1 November in 2018\u003c\/div\u003e\n\u003cdiv class=\"ql-block\" data-block-id=\"block-be1ef1f9-d629-42b4-9d03-f9f946445fab\"\u003e\u003cs\u003eRestocked in Mid August 2022\u003c\/s\u003e\u003c\/div\u003e\n\u003cdiv class=\"ql-block\" data-block-id=\"block-377d4adb-7010-41bc-9478-c06d72cde851\"\u003e\u003cs\u003eRestocked in Early August 2023\u003c\/s\u003e\u003c\/div\u003e\n\u003cdiv class=\"ql-block\" data-block-id=\"block-14378690-e7d6-4e59-b9fe-08dea00b732d\"\u003eRestocked in Early March 2024\u003c\/div\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e \u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eProvoke (プロヴォーク) was an experimental, small-press Japanese photography magazine, first published on 1 November 1968 as a “dojin-shi\u003cmeta charset=\"utf-8\"\u003e” — a self-published, independently circulated magazine. Founded by art critic Kōji Taki, photographers Takuma Nakahira and Yutaka Takanashi, and poet Takahiko Okada, it carried the subtitle \"Provocative Materials for Thought.\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTheir aim was to break with documentary conventions, embracing an anti-aesthetic in which photography expressed the world not as seen, but as felt. Photographer Daido Moriyama joined from the second issue. Three issues were published in total — each in an edition of only 1000 copies — before the group concluded with the overview publication \u003cmeta charset=\"utf-8\"\u003e“First, Abandon the World of Pseudo-Certainty\u003cmeta charset=\"utf-8\"\u003e”.\u003c\/p\u003e\n\u003cdiv class=\"ql-block\" data-block-id=\"block-f848bb4a-c9da-4531-a539-ec4f9c232a8e\"\u003eLanguages: Japanese (English and Chinese translations in printed supplement)\u003c\/div\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57424240509302,"sku":null,"price":150.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-provoke-2018.jpg?v=1776615436"},{"product_id":"yoshie-itasaka-infinity-complex-landscape","title":"Yoshie Itasaka: Infinity Complex Landscape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFollowing the Ukrainian crisis in 2014, the Japanese photographer Yoshie Itasaka (b. 1984) traveled through Ukraine for over five years, capturing everyday situations in Odessa, Kiev, Kharkiv, Dnipro, Zaporizhia, Mariupol, and Crimea, among other places. This publication invites us to see Ukraine’s recent history anew through the empathetic lens of a Japanese perspective. With her very personal travel diary, Itasaka aims to convey an understanding of the history of the post-Soviet era in this region. \u003c\/span\u003e\u003cem\u003eInfinity Complex Landscape\u003c\/em\u003e\u003cspan\u003e calls for a confrontation with the past and contributes to the healing of collective wounds. The book includes a text by professor Kimitaka Matsuzato, one of the leading scholars of Post-Soviet History and Politics, who, in 2019, received the Association for the Study of Nationalities’ (ASN) prestigious Huttenbach Prize.\u003c\/span\u003e\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57425826808182,"sku":null,"price":50.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-yoshie-itasaka-infinity-complex-landscape-cover.jpg?v=1776334420"},{"product_id":"christian-grogg-nomadenloft","title":"Christian Grogg: Nomadenloft","description":"","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57469408477558,"sku":null,"price":30.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-christian-grogg-nomadenloft.jpg?v=1776025204"},{"product_id":"takashi-homma-this-is-not-my-cat","title":"Takashi Homma: This is not my Cat","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eA cat wanders, perches, and lounges in various spaces around a humble Tokyo apartment. It is perfectly tranquil in its surroundings, simply going about its daily life. In one image, the cat lays serenely amidst pot plants on the balcony, squinting in morning sunlight; in others, it balances precariously on the edge of the bath, snuggles beneath a sleeping bag, plays in a cardboard box, hides beneath an open umbrella. Here and there, evidence of the cat’s fellow inhabitant in the apartment – a man, who also happens to be the internationally renowned photographer Takashi Homma – creeps into the frame. A knee, a foot, a shock of blonde hair, half of a face. There are artefacts of his life and practice too. Framed photographic prints draped in bubblewrap lean against a wall; a tangle of musical effects pedals make for colourful constellation against the cool blue of the carpet.\u003cbr\u003e\u003cbr\u003eMany have written of the unique atmosphere and energy of Takashi Homma’s pictures. His photographic mannerisms are so light, so subtly empathetic to his subjects, that we all but dissolve into the world he creates. The photographs that populate This Is Not My Cat are no exception. Unencumbered by a sense of fussiness or perfection, these images are casual, diaristic, and quotidian. As viewers, we become part of the images and their atmosphere, rather than poring over their details. They are about feeling as much as they are about looking. \u003cbr\u003e\u003cbr\u003eThe title – This Is Not My Cat – seems multipart. Whereas the anomaly imbedded in Homma’s iconic photobook Tokyo and My Daughter is that the girl pictured was not in fact his own child, here, his own cat is recast as belonging to another. Or perhaps it is that a cat’s independence cannot be truly curbed. They quietly live, play, and exist alongside us. They move through life in our shadow, but forever in their own world. \u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57519383609718,"sku":null,"price":23.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-takashi-homma-this-is-not-my-cat-cover.jpg?v=1776259986"},{"product_id":"akosua-viktoria-adu-sanyah-no-flowers","title":"Akosua Viktoria Adu-Sanyah: No Flowers","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNo Flowers forms a chapter within the body of work \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e“\u003c\/span\u003eDelirium” by \u003cmeta charset=\"utf-8\"\u003eGerman-Ghanaian artist Akosua Viktoria Adu-Sanyah who is based in Zurich, Switzerland. It unfolds around the absence of ritual and the refusal of disappearance. At its center is her father: following his death in 2021—without funeral, without ceremony—the work develops as a delayed gesture of attendance. Flowers accumulate around his image: excessive, artificial, unstable. The images originate from a small number of photographic negatives, processed through an image-to-image generative system without the use of language, and subsequently translated back into negative material and printed in the darkroom. Distortion and return operate as a single movement: the image is broken, then brought back into physical presence. The book itself is conceived as a site of holding—where image, text, and process converge as a form of insistence.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57609441411446,"sku":null,"price":38.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-akosua-viktoria-adu-sanyah-no-flowers-cover.jpg?v=1776611048"},{"product_id":"leading-light","title":"Ryosuke Toyama: Leading Light","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eIn 2008, having not taken over my family's kimono dyeing business, I set out on a journey to photograph artisans of my generation who were in similar circumstances. I was motivated by my own complex. I asked them to write a letter to themselves 10 years from now to express their determination in the world of crafts. I told them to seal the letter after writing it and left the place. Later, I took their portraits with a camera in front of them, asking them to recall the contents of their letters. I could see the hesitation as well as the determination in his eyes. I kept the letter and promised to come back in 10 years to photograph them again. I met and photographed 20 craftsmen as I traveled around the country. I named this work \"Seed.” For the next 10 years, I kept thinking about how I would face them the next time. In 2018, with the letter that I had been entrusted with in hand, I took a photo of the letter in my hand, which I was able to take with a 50x60cm camera. I built myself a huge camera and went to photograph them using the ambrotype, a technique that was developed just before the industrialization of photography. The exposure time was one to three minutes. During that time, by having them imagine the past, present, and future of their own work, the layers of time were burned into the glass. I named this work “Sprout.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57754301825398,"sku":null,"price":40.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-ryosuke-toyama-leading-light-cover.jpg?v=1777225890"},{"product_id":"arizona-horsegiirl-newspaper","title":"Arizona horsegiirL Newspaper","description":"","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57767119126902,"sku":null,"price":15.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-arizona-horsegiirl-cover.jpg?v=1777644570"},{"product_id":"corinne-acid-1963-2016","title":"Corinne Acid 1963–2016","description":"\u003cp\u003e\u003cbr\u003eCorinne Huber\u003cbr\u003eNickname Corinne h, Colli, Coco 1963 - 2016\u003cbr\u003eAlle Photos von Bruno Stettler, Konzept und Layout Chris Eggli with the assistence of Lurker Grand\u003cbr\u003eA book dedicated to the muse of photographer Bruno Stettler, Corinne (aka Colli, Coco, Acid), with whom he worked between 1980 and 1986. A key figure in Zurich's party scene in the 1980s, she played a pivotal role in getting the photographer access to numerous celebrity figures and musicians, among them David Bowie, Public Enemy, Motorhead, and the Beastie Boys. Corinne, who passed away in 2016 at the age of 53, was not just a party girl, groupie, and model - she would also take on different personalities. In private portraits and snapshots from backstage or out the city, Stettler captures her many facets, her kinetic, one-of-a-kind character, and her femme fatale allure.\u003c\/p\u003e\n\u003cp\u003eThis book did win the title of the most beautiful SWISS books of the year 2020! Also the bronce medal of the beautifiul books of the world 2020!\u003cbr\u003eBRUNO did pass away on Sunday march 11 2021. For more infos go to tagesanzeiger.ch\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eYou were my muse. You introduced me to the world of pop and rock music. You brought me backstage after live concerts. You were my groupie. You introduced me to drugs.\u003cbr data-start=\"166\" data-end=\"169\"\u003eYou were never afraid. Your self-concept was shaped by fashion and punk. You were my girlfriend, my first love and nude model. You made me feel like a real photographer.\u003cbr data-start=\"338\" data-end=\"341\"\u003eYou got me hooked on the wild lifestyle of the 80s. You often touched my heart. You shaped and enriched my life with your beauty, your humor and your love.\u003cbr data-start=\"496\" data-end=\"499\"\u003eI thank you infinitely.\u003cbr data-start=\"522\" data-end=\"525\"\u003eCorinne Huber\u003cbr data-start=\"538\" data-end=\"541\"\u003e(1963–2016)\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57784037114230,"sku":null,"price":50.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-corinne-cover.jpg?v=1777631568"},{"product_id":"catwalk-stories","title":"Catwalk Stories","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThere are many typically Swiss things, and cat ladders are one of them. 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The result, shaped into a distinct visual narrative by designer Emanuel Tschumi, sits somewhere between photography, architecture, and pop-inflected everyday culture.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57791848382838,"sku":null,"price":36.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-catwalk-stories-covers.jpg?v=1777816993"},{"product_id":"nicolas-polli-when-strawberries-will-grow-on-trees-i-will-kiss-u","title":"Nicolas Polli: When Strawberries Will Grow on Trees, I Will Kiss U","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA deeply personal meditation on solitude, longing, and the gap between who we are and who we pretend to be. Born from three months of near-total isolation, this project grew into something the artist never quite planned: a book that sits somewhere between photography, poetry, and confession.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAt its heart, it explores a contradiction familiar to many: the performative sociability of modern life masking a profound fear of being alone. Through images made while looking inward, Polli traces themes of insecurity, desire, and the quiet paralysis of everyday life — lying on a bed, staring at the ceiling, eating pasta, doing nothing, and somehow finding beauty in all of it.\u003c\/p\u003e","brand":"Compromise Books","offers":[{"title":"Default Title","offer_id":57828349116790,"sku":null,"price":75.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/5968\/6262\/files\/compromise-books-when-strawberries-will-grow-on-trees-i-will-kiss-u-cover.jpg?v=1779287890"},{"product_id":"yoshiko-kusano-bordelle","title":"Yoshiko Kusano: Bordelle","description":"\u003cp\u003eUnlike most photographic works on prostitution which show the people themselves, Yoshiko's photo essay focuses on the rooms. 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The freeways, the superficial glamour, and the dreamy, factory-generated images. Exploring this city on foot however, as Freddy Perez did for two years, reveals a very different picture. Under blue skies and blazing sun, this city of dreams and desires turns into an abstract image. Rather than pursuing typologies and specific motives, and without capturing social aspects or spontaneous situations on the streets, Perez presents LA matter-of-factly and crystal clear in glaring daylight. Sun, shade, light, and colors alone determine the composition. Thus, the various elements in the rectangle of the viewfinder–sky, architecture, cars, letterings, and plants–interlock to form a two-dimensional image where foreground and background merge in a non-hierarchical way. 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